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Now with iconography, and an historical sense and memory conducive, for grounding, one can walk into a building and recognise and identify items, which, those familiar with the building do not ken. Without being told, nor having access to a written account, a narrative can be sleuthed and pieced together in moments [writing it up may take hours]. With access to some resources a fuller, and confirmed, account can be presented.
Brooklyn Methodist recently closed. An anglican group continues to use their chapel for Sunday services. Under a glass cupola dome the methodists had held services from 1911, the congregation from 1818 [read cornerstones]. They have many opalescent windows about the building. They have painted glass with scenes in the worship area; three large windows, two interrupted by seating. A medallion on top, and two on bottom portray Jesus.
William H. Hunt painted The Light of the World (1853–54). The original is at Keble College, Oxford. A larger and greater seen version went to the anglican cathedral, St. Paul's, in London, after touring the world and continued to be popular. Hunt had read a sad sonnet by the dissolute priest Lope de Vega, To-morrow, that is about the man behind the door and based on Apocalypse iii. 20.
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Heinrich Hofmann painted in 1890, a much reproduced Christ in Gethsemane. This is the second protestant icon of Jesus. The original was bought by John D. Rockefeller for his Riverside Church in New York City. Rockefeller had been a Cleveland boy. Brooklyn Methodist has a glass version also. A catholic Gethsemane usually has an Angel holding a cup, and often the three sleeping apostles. Hofmann's, and the glassy one in Old Brooklyn, has Jesus kneeling with fingers folded on top of a rock.
The third Christ they have glased is Jesus the Friend of Children. This is the most 'catholic' of the three, a very similar one is in Saint Emeric's on W.22nd.
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