The elevators were five on one side, and five across from them. They were modeled after those in the transoceanic liners like the Normandie and the Titanic. Plastic jambs and lintels were formed to resemble marble. Handsome veneers on the outside door, with long vertical inlays where they met. On each door there were art nouveau stencils. These will remain when the lower floors are converted to a casino.
Now, I have pointed out, St. Michael's is visible from many points in the city. From the Higbee's building looking along W. 2nd, beyond the neon guitar, and the Lorain-Carnegie bridge, is the taller steeple of St. Michael's. The shorter one is directly in line and behind.
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Postscriptum 2 November 2011: The building and the block, that had the bookstore, has been demolished.
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